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At the sight of her Cloud had snapped out of his stupor and made up a new persona as a former SOLDIER First Class to gain a sense of identity and to cover up the gaps in his memory. Act 4: Decisive Battle[]

One of the game's major themes is identity, seen through the main protagonist Cloud and the main antagonist Sephiroth. Coping with physical and psychological trauma had Cloud assume the persona of his late mentor, Zack, leading to a deep confusion of the multiple personalities that inharmoniously coexist in his mind.

After escaping from the dystopian city of Midgar, Cloud and his friends set out on a journey across the planet. New adventures await in a vibrant and vast world – sprint across grassy plains on a Chocobo and explore expansive environments.

Sephiroth, is a non-controllable temporary party member during a single sequence. After resurfacing years after being deemed dead, pursuing Sephiroth becomes the party's main motivation.

The group is freed from their cells by the surprise reappearance of the supposedly dead legendary SOLDIER, Sephiroth, following the escape of a headless Jenova from her tank.

When designing Cloud and Sephiroth, Nomura was influenced by his view of their rivalry mirroring the legendary animosity between Miyamoto Musashi and Sasaki Kojirō, with Cloud and Sephiroth being Musashi and Kojirō respectively. Sephiroth's look was defined as "kakkoii", a Japanese term combining good looks with coolness.[40] Several of Nomura's designs evolved substantially during development. Cloud's original design of slicked-back black hair with pelo spikes was intended to save polygons and contrast with Sephiroth's long, flowing silver hair. However, Nomura feared that such masculinity could prove unpopular with fans, so he redesigned Cloud to feature a shock of spiky, bright blond hair. Vincent's occupation changed from researcher to detective to chemist, and finally to a former Turk with a tragic past.[8][24] Scenario[edit]

Cloud is caught up in the actions of eco-terrorist group AVALANCHE, and although initially uncaring toward their mission, final fantasy vii he has a change of heart when he begins to discover his shrouded past.

Arguably one of the most important games of all time. Replaying it decades later I still had a fantastic time with it. From the music to story it is for me the game that made me fall in love with the medium and truly felt like an epic adventure.

In the vast field areas, there are all kinds of points of interest to explore that will call to your sense of adventure. Broadly speaking, the first category is World Intel – where you survey the world, fighting fearsome foes and seeking out various resources or hidden treasures as you go.

While the team had the option of simply remastering Final Fantasy VII with better graphics as many fans had requested, they noted that its graphics and many of its mechanics had become dated by modern standards. With this in mind, they decided to do a full remake, rebuilding the game systems to suit contemporary tastes and using current gaming technology to recreate the world.[32][34] An overarching goal of the project was to make the game feel both "new and nostalgic" for players of the original game while exemplifying the idea of Final Fantasy VII for new players.

There are five other examples of audible vocalization in the game: in the FMV sequence when Midgar's Sector 7 plate is collapsing onto the slum underneath, the slum's residents give a frightened scream. At the end of this sequence, President Shinra observes the chaos below from his top floor office in Shinra Tower listening to opera music. The sound of pilots and/or air traffic control can be heard communicating when Cloud first arrives in Upper Junon airport.

A exclusividade temporária de modo a o console da Sony acaba em 10 por abril de 2021. A Square Enix ainda nãeste divulgou para quais plataformas pretende disponibilizar este game após o prazo.

The musical score of Final Fantasy VII was composed, arranged, and produced by Nobuo Uematsu, who had served as the sole composer for the six previous Final Fantasy games. Originally, Uematsu had planned to use CD quality music with vocal performances to take advantage of the console's audio capabilities but found that it resulted in the game having much longer loading times for each area. Uematsu then decided that the higher-quality audio was not worth the trade-off with performance, and opted instead to use MIDI-like sounds produced by the console's internal sound sequencer, similar to how his soundtracks for the previous games in the series on the Super NES were implemented.[68][69] While the Super NES only had eight sound channels to work with, the PlayStation had twenty-four.